The world of music appreciation textbooks is
about to be turned on its head!
A comprehensive open access music appreciation textbook
with an integrated responsive website, online multimedia pronouncing lexicon and Blackboard Learning System cartridge by Thomas Labé.
Rather than the traditional traversal of the "elements" of music, followed by lip service given to Antiquity and the Middle Ages, The Ninth Muse follows the thread of music from the Pleistocene Era to the present. Using a unique format
it only introduces concepts, terms, instruments, and so on as they become relevant to the narrative. The emphasis is placed on listening (suggested listening examples are placed throughout the text) allowing instructors the utmost flexibility
in providing students with a rich and varied listening experience. The textbook and website are illuminated with over 1,500 high definition color images and generous quotations from literature ranging from Plato to Kurt Vonnegut.
• a lively, fresh approach to the topic
• over 1,500 high definition full color images that service to illuminate the text
Based on fluid design principles. Works with screen resolution. In-app chat panel 24/7 365active. The support you need, right there.
• a fully functional responsive website suitable for class presentation and available for instructor and student use 24/7/365
• the website aligns with the textbook, Lexicon and Blackboard cartridge
- this multimedia "dictionary" contains 1,000+ terms, composer names, and so with pronunciation and supporting multimedia materials
- it is fully integrated with the textbook
• all materials are available online (and portion of the textbook and the study guides can be printed
• a free downloadable APP allows for quick connections to any of the online elements
• a visually appealing Blackboard Learning System cartridge provides examination pools for instructors and study guides for students
• this project is being released under the Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0)
• for this reason there is no cost at all invoilved with use any or all of these materials however the materials can not be altered in any way
Surprisingly the first large scale treatment of Puccini's music to be brought to the piano.
From the Suite bergamasque (pub. 1905)
From the Années de pèlerinage, Troisième année, S. 163 (pub. 1858)
Originally composed for the organ, this is the piano arrangement made by Harold Bauer (1873-1951)
From a world premiere first recording of some of the arrangements for solo piano by Leopold Godowsky (1870-1938) of selected works from Bachs solo violin and cello sonatas and partitas.
The last track from Transcendental Bach which has been featured on Performance Today
© Copyright 2018 Thomas Labé - All rights reserved.